Showing Records: 1 - 10 of 640
34th Street Magazine. "Exhibit transcending a showcase, retrospective", circa 1974
Object — Box: 15, Folder: 13
Identifier: MDE_B015_F013_007
Scope and Contents
34th Street Magazine. "Exhibit transcending a showcase, retrospective" by Erika Wallace [copy].
Dates:
circa 1974
"A guided tour through the strange world of 'The Bride Stripped Bare by Her Bachelors, Even'", undated
Object — Box: 2, Folder: 12
Identifier: MDR_B002_F012_001
Scope and Contents
"A guided tour through the strange world of 'The Bride Stripped Bare by Her Bachelors, Even'" by Richard Hamilton [copy].
Dates:
undated
Academy Show, Arensberg Collection, Wright Exhibit Enliven Scene, 1951 January 21
Object — Box: 41, Folder: 39
Identifier: WLA_B041_F039_018
Scope and Contents
"Academy Show, Arensberg Collection, Wright Exhibit Enliven Scene" by Gertrude Benson. Clipping from the Philadelphia Inquirer.
Dates:
1951 January 21
Agence France Presse clipping, circa 1976-1977
Object — Box: 22, Folder: 27
Identifier: MDE_B022_F027_016
Scope and Contents
Agence France Presse clipping [copy].
Dates:
circa 1976-1977
Alitalia Magazine. "Marcel Duchamp a Palazzo Grassi", 1993 April
Object — Box: 28, Folder: 17
Identifier: MDE_B028_F017_001
Scope and Contents
Alitalia Magazine. "Marcel Duchamp a Palazzo Grassi" [copy].
Dates:
1993 April
Almanac. "Marcel Duchamp: a centennial tribute to the master eccentric of modern art", 1987 March - April
Object — Box: 1, Folder: 31
Identifier: MDR_B001_F031_001
Scope and Contents
Almanac, volume 18, number 2. "Marcel Duchamp: a centennial tribute to the master eccentric of modern art" by Anne d'Harnoncourt.
Dates:
1987 March - April
Ambler Gazette. "Duchamp's Irreverence is Now Legitimate", circa 1974
Object — Box: 15, Folder: 13
Identifier: MDE_B015_F013_006
Scope and Contents
Ambler Gazette. "Duchamp's Irreverence is Now Legitimate" by Russ Shor.
Dates:
circa 1974
Analytical Art. "Duchampian Delinquency and the Constitutive Cure", 1971 July
Object — Box: 2, Folder: 46
Identifier: MDR_B002_F046_001
Scope and Contents
Analytical Art, number 1. "Duchampian Delinquency and the Constitutive Cure" by Philip Pilkington [copy].
Dates:
1971 July
Anonyme no longer: The private collection of Katherine Dreier, long a public patron of modern art, makes a lively new show at Yale University, 1953 January
Object — Box: 41, Folder: 9
Identifier: WLA_B041_F009_002
Scope and Contents
"Anonyme no longer: The private collection of Katherine Dreier, long a public patron of modern art, makes a lively new show at Yale University" by George Heard Hamilton. Clipping from Art News, vol. 51, no. 9.
Dates:
1953 January
Anuario del Departamento de Historia y Teoría del Arte. "Duchamp: Maquinación de los ready-mades", 1992
Object — Box: 3, Folder: 2
Identifier: MDR_B003_F002_001
Scope and Contents
Anuario del Departamento de Historia y Teoría del Arte. "Duchamp: Maquinación de los ready-mades" by Juan Antonio Ramírez.
Dates:
1992
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- New York Herald Tribune (Firm) 6
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